Producing the best-quality book possible, regardless of format.To greatly simplify matters, a traditional publisher has four overarching duties:
Incidentally, understanding this can also help you evaluate what value, if any, a hybrid publisher offers.
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With a clear view of the business, you can learn how to identify whether a small press offers an advantage to you over self-publishing. The intent is seldom malicious it’s rather that their ignorance of standard (or ethical) business practices in publishing may lead them to offer contracts and deals that mimic what they see far more established players using.įirst, let’s examine the basics of how books make it to market and how they get sold-and the role that traditional publishers play, regardless of size, in that process. The problem for the writer is that some small presses take a sizable chunk of royalties and rights, yet offer little value in return. That said, small presses can be alike in that they take pride in their status (and often rightly so) and call themselves “independent publishers,” to emphasize their creativity or more personal approach, and to differentiate themselves from corporately owned behemoths. Small publishers often have little or nothing in common with each other each has unique contracts, distribution power, and quality, not to mention title count and revenue.
But it also includes publishers that started up last year out of someone’s home office, run by people who may not know anything more about the publishing industry than you do. Into this category falls some of the most prestigious publishers you can imagine, that can boast of New York Times bestsellers, and that writers dream of working with. In my annual chart, The Key Book Publishing Paths, there is one column that is most vexing and problematic for writers to navigate: small publishers. This post was originally published in 2016 and has been recently expanded to keep pace with changes in the industry.
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